I thoroughly enjoyed this Victorian mystery set in 1893, when the young future Nicholas II comes to London for a wedding and Barker and Llewelyn are hired to protect him from assassination. I was privileged to be able to interview Will Thomas via zoom, with Barbara Peters of the Poisoned Pen.
This is the 12th in the series, and I jumped in about half way (somewhere around #7, I believe). I've enjoyed them ever since. For those who have not yet met Barker and Llewelyn, they are neither Scotland Yard inspectors nor policemen. They are "private enquiry agents," and readers who enjoy Sherlock Holmes stories will find much to appreciate here in the banter and difference between these two protagonists. As with the Holmes stories, these are narrated by the "sidekick" ... thank goodness because Llewelyn is very likable and funny--a nice offset to the crimes and mayhem; Barker is rather imposing and fierce.
Two of my favorite aspects of these books are first, the humor. It is not ha-ha, elbow in the sides humor. It's subtle--a small wry wink and a nudge to the reader. For example, when Llewelyn and Barker are introduced as "Lewis and Baker," he shrugs it off: "We'd been called worse." There are dozens of these ... I wouldn't even call them one-liners, as sometimes they're merely half a line. But they keep me smiling as I read and give me a sense of connection to and sympathy with Llewelyn.
The other aspect I love is that I feel deeply steeped in Victorian London throughout the book. The author has been writing about Victorian London for years now, and he's familiar enough with the sights and sounds that they appear organically; he doesn't shoehorn them in. The historical figures William Morris and Israel Zangwell appear, and for those readers who know who they are, it's fun to find and recognize them. Beyond that, the very metaphors he uses are drawn very specifically from that English world. Describing trying to find a messenger boy to deliver a note: "The boy slipped by like a salmon on the River Spey." Describing what it was like to be close to a man who was shot: "It was like one of them butchers in Leadenhall market threw a bucket of blood all over us." It's like being immersed in a pot of proper English tea ... or perhaps the Thames!
Despite that last example, these books are not gritty. The violence is largely off the page, and I wouldn't feel uncomfortable recommending these books to my teenage son. I'd recommend to fans of Charles Finch, Alex Grecian (THE YARD, etc.), and Abir Mukherjee (A RISING MAN, etc.).
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