J.R. Ellis, THE BREWERY MURDERS (Yorkshire Mystery #9)

Set in a small town in Yorkshire, with two artisanal breweries (run by a brother and sister respectively), a long-lost recipe, a full cast of suspects, two detectives, three murders, and human beings with realistic baggage – addictions, tempers, secrets, old resentments. It’s an enjoyable, quick read (one day for me) with a solid moral compass in DCI Oldroyd. (Between the setting and the gentle humanity, I found myself thinking of the James Herriot books.) Oldroyd's underling Andy Carter explains to him, “I used to believe that criminals were evil people. ‘Catch and lock ‘em up’ was my attitude. But you’ve taught us to think differently: that people who do bad things are mostly damaged themselves and maybe they were trapped in circumstances where another person might have behaved in the same way. Something pushed them over the edge. … You’ve taught us to put ourselves in the shoes of the criminal: they’re human, like the rest of us and mostly think the same way.” I also enjoyed the interesting facts about brewing and its history. This is my first mystery by Ellis, and I'll look for others.

Judith Flanders, THE INVENTION OF MURDER

Brilliant. 5 stars.

I just finished this nonfiction book, which I found truly remarkable for its depth and range of research and for its persuasive argument about the ways that (British) Victorian popular literature, stage productions, newspapers, and ephemera such as music hall songs and cartoons discursively produced murder and modern crime. (See all my nerdy tabs? You should see how many passages I underlined.) 

Dense with accounts and anecdotes of policing, crime, murder, hangings, trials, medical procedures, and legal processes, and told in accessible, engaging prose, this book is rich with lore. I would strongly recommend this book, along with Haia Shpayer-Makov's THE ASCENT OF THE DETECTIVE (a nice counterpoint to this book), to anyone writing mysteries set in nineteenth century Britain. (Donna Leon, whose books are always well researched, loved it too.)  

Robert J Lloyd, THE BEDLAM CADAVER: A HUNT & HOOK NOVEL

 

A fast-paced historical thriller with a firm sense of place. 

In 1681 London, King Charles II is on the throne, but a group wants to replace him with his brother, the Catholic James. Crime-solver Harry Hunt lives in fashionable Bloomsbury, whiling away his days aimlessly, as he is no longer employed by the Royal Society. But when a wealthy merchant’s daughter is kidnapped and murdered and nearly dissected as a cadaver at Bethlehem Hospital (aka Bedlam), the king asks Hunt to find the killer. After a second woman goes missing, he finds a link to a third woman’s death and some gross improprieties at Bedlam. Then Hunt is accused of the crimes himself, and he takes refuge incognito on the south side of the Thames as he works to clear his name. There are lots of intriguing historical bits and references to London landmarks tucked in here – Holbein Gate, Hedge Lane beside the Royal Mews, Bethlehem Hospital, Cuckold’s Point, Africa House, St. Paul’s, Southwark, Haymarket, Leicester Fields, Bloomsbury Square. 

I appreciated the moment, toward the end, when Sir John Reresby (Justice of the Peace for Westminster and an officious bumbler) apologizes for suspecting Harry of murder. Harry replies: “I accept your apology and thank you for it. We believe those things which bring us comfort. We believe whatever suits our own preferences. And why should we not? The world’s a confusing enough place. And the people in it are confusing creatures, often deceiving even themselves.” (398) 

(I did smile over some plot elements that I’ve used in my own books – including hiding important documents in a picture frame and the beleaguered hero fleeing from the north to the south side of the Thames. Made me feel like the author was a kindred spirit.)

John Shen Yen Nee & S J Rozan, THE MURDER OF MR. MA

 

Great fun, set in 1920s London! As with Conan Doyle's Holmes and Watson, we have a studious and sensible main narrator Lao She who documents the case and a brilliant opium-addicted detective Dee Ren Jie who borders on comic book superhero, donning a cape and flying along the London rooftops to solve the mystery of a series of murders traceable back to a Chinese tontine. Dee adopts the persona of "Spring-heeled Jack" whom Judith Flanders calls "the first urban legend" from the 1830s and who by the 1870s had evolved into "a Batman-like righter of wrongs"; other allusions to real life abound, with guest appearances by Bertrand Russell and Ezra Pound. It's a lively ride! 

Betty Smith, A TREE GROWS IN BROOKLYN

We're having our floors redone, and in order for that to happen I had to empty my bookshelves so they could be moved. I pulled out a few books that I wanted to reread -- with the plan to donate or share them afterwards because I REALLY need to do something about my book problem. One step at a time. :) It's always interesting to reread a book that I read as a child; we cannot help but read it differently. 

I think I originally read this when I was thirteen or so. I found it interesting that in her letter of 1947 that opens the second edition of the book, Betty writes of her gratitude for various people, including "a person who caused me much anguish because the grief made me grow up emotionally and gave me a little more understanding." (!) I enjoyed the story of a plucky, poor girl in Brooklyn. But there are parts of this book that suggest Smith is conveying her strong opinions and exorcising some of her own demons.

The book opens in summer of 1912 in Brooklyn. Francie Nolan and her brother Neeley live there, with their hardworking mother, Katie, and their shiftless but loving father, Johnnie, who cannot hold a regular job and is frequently "sick" (drunk). Aunt Sissy is scandalously sexual. The coming-of-age arc includes some ordinary and some striking moments: Francie finds the library; her father helps her attend a better school; the children earn a Christmas tree by standing still while an unsold one, on Christmas Eve, is literally thrown at them; after seeing an unmarried woman Joanna having stones thrown at her in the street, Francie "hated women. She feared them for their devious ways, she mistrusted their instincts"; Francie is attacked by a man in her building -- "the pervert"; her father dies; her mother remarries and they move out of Brooklyn.

Certain scenes feel polemical, or pedagogical, and often the author steps in to moralize. When Francie must get vaccinated for school, the doctor says, 

"Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse." ... Francie stood hanging her head. She was a dirty girl.... [And then the author steps in:] A person who pulls himself up from a low environment via the boot-strap route has two choices. having risen above his environment, he can forget it; or, he can rise about it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel up climb.

Here's another interesting statement: "Married women were not allowed to teach in those days, hence most of the teachers were women made neurotic by starved love instincts. These barren women spent their fury on other women's children in a twisted authoritative manner. The cruelest teachers were those who had come from homes similar to those of the poor children. It seemed that in their bitterness towards those unfortunate little ones, they were somehow exorcising their own fearful background."

"An answer came to Katie. ... Education! That was it! It was education that made the difference! Education would pull them out of the grime and dirt!"

There is an extended section where Francie and Neeley argue over the existence of God -- if he's good, why did he let Father die? Francie recovers her faith within a few chapters. 

I also got the feeling Smith was representing some of her own struggles in writing -- I wonder if she's mentally "outing" a teacher who gave her bad advice. Francie writes stories and ends up with a C- from her [narrow-minded] teacher who only wants her to write about nice things: "But poverty, starvation and drunkenness are ugly subjects to choose. We all admit these things exist. But one doesn't write about them." 

Significant sections read like a cautionary tale for unmarried young women -- another horrible story is about a sixteen-year-old girl out in Maspeth; her father kept her on a diet of bread and water to weaken her so she and her child would die in childbirth.

And finally -- the various groups were singing on New Year's Eve, and the Germans won. Francie shivered. "I don't like Germans," she said. "They're so ... so persistent when they want something and they've always got to be ahead." Given that this was written in 1943, reissued 1947, it's not surprising.  

The book is sixty years old, so it's dated, but it's also timeless, similar to the way other coming-of-age MG/YA books are. I'm glad I reread it, but after 40 years on my shelf, it's going in the donate stack for someone else to enjoy. :)

Susan Casey, THE UNDERWORLD: JOURNEYS TO THE DEPTHS OF THE OCEAN

 5 stars

This is a nonfiction account of the author's journeys with explorers venturing into the deepest parts of the ocean in submersibles. With engaging anecdotes from others as well as her own experiences, Casey writes in an accessible, familiar way, leaning into her own wonder and into the natural suspense of these adventures, with machines that have systems that fail sometimes, when they are miles below the surface. (There's an account of being in a submersible, on the ocean floor, with water leaking in and another with the batteries failing...!) I appreciated the history, including how "nature-crazed Victorian England ... was enthralled by any aquatic discovery." I also enjoyed the color photographs [in the hardback edition] of the bizarre lifeforms in the deep ocean -- some of them truly otherworldly. James Cameron and his fascination with the Titanic appears as an interesting side story. The most significant part of the book, however -- a ball that doesn't really get rolling until later -- is the significance of the ocean for the climate of our planet and the dangers we face if we don't protect it. "It's the engine that runs the climate system." For example, "Since 1970, it has gulped down 93 percent of the excess heat and 30 percent of the carbon dioxide we've generated from burning fossil fuels." What is scary is that there are groups increasingly determined to mine the deep -- scrape the bottom for the nuggets of minerals on the ocean floor -- a process that will disturb the ecosystems for thousands of square miles, rendering them uninhabitable and disturbing their ability to sink carbon and regulate temperature for us. There is a group called the ISA -- International Seabed Authority -- with 168 member nations -- that is ostensibly independent and supposed to evaluate mining contracts for their environmental impact. But the ISA seems to have cozied up to metal companies, granting 31 mining exploration contracts covering seabed the size of Alaska. (They have never turned down a proposal.) The other scary thing is plastics. There are amphipods that have plastic microfibers embedded in its guts. "Along with microplastics and synthetic fibers, scientists have found that the hadal trenches are thick with every toxin we've ever unleashed -- PCBs (industrial poisons), PBDEs (flame retardants), DDT, ... lead, mercury, pharmaceutical waste, and radioactive carbon from nuclear bombs. Form the ocean's surface to its deepest sediments, all the way up the marine food chain, we have left our mark." I'd recommend to anyone who wants to understand the role of the oceans in our world. [Read for bookclub.]