Edwin Hill, WATCH HER

Edwin Hill’s WATCH ME, a contemporary thriller set in Boston, centers on a for-profit university and its owners and students—and a crime committed years ago that was covered up by layers of lies. It is told from the alternating perspectives of Angela (a detective), Hester (a missing persons specialist), Barret (a transgender student), and Maxine (who helps run the university). Through their different perspectives, Hill illuminates how one small, terrible incident years ago can have effects for a large web of people, and how the characters (and we) all carry our baggage—divided loyalties, unfulfilled longings, childhood guilt, and questions of identity. The ending has a twist I truly did NOT see coming. Yow! 

Those who like contemporary thrillers will find this a quick, engaging read. I'd say this is a good fit for fans of Hank Phillippi Ryan, Lisa Unger, and Hannah Mary McKinnon. 

Paula McLain, WHEN THE STARS GO DARK

This is a departure from McLain's previous works of historical fiction (such as THE PARIS WIFE and CIRCLING THE SUN). This is a thriller based upon real events and set in 1993, just before the internet makes finding missing persons a different kind of task. 

The protagonist, Anna Hart, a missing persons detective living in San Francisco, has left her family behind after a tragic accident kills her daughter, and she goes to Mendocino, a former home town, to grieve. There, a constellation of cases of missing girls draws her in, and in working through them, she confronts her childhood traumas from life in foster care. 

For me, what makes this an unusually strong thriller is the level of writing, particularly the internal monologue, which often feels pitch-perfect, precise and elegant, even poetic. Quotes are never as powerful out of context, but here are some samples:

"[I felt]... a sadness that seemed to settle into the space between the trees, between the trunks and branches, between the needles and leaves, between the molecules. It climbed inside my body and curled up tightly under my ribs, like a fist made of silver thread."

"When things got hard and you felt shaky, she liked to say, you could hit your knees wherever you were, and the world would be there to catch you."

"What is all the suffering for if not so we can see how alike we are, and not alone? Where will the mercy come from, if not from us?"

Ambitious in its themes and compassionate and humane in its ethos, I think this book will appeal to fans of Tana French and Louise Penny.